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One simple example: we have up to 29 presets that can be recalled on the fly. Trinnov’s Optimizer has a number of different tools available to you to allow you to create such a dual-purpose system. Being able to support those two potentially very different scenarios in one system is most definitely a challenge. But, for whatever reason, one’s musical preferences can be quite personal. This may be partly due to the relative lack of standardization in music production as compared to movie production. With Hifi there is an overwhelming bias towards your personal taste and the way you want to hear or believe that content should be heard. Of course, if you like it bass-heavy or slightly soft in the high frequencies, these preferences may be accommodated within the final calibration. We find that movie content is much less subjective as it’s not so much about the way you prefer the sound as it’s about recreating the content and giving it the impact and clarity required to really draw you in. This is true for both music and movie content (although there may be somewhat different emphases in each). After all, the aim of a good audio system is to recreate the content faithfully and in the way the artist or director intended. It may take thought and planning, but it is very achievable. There is no reason why a well-designed and well-implemented multi-channel audio system should not be able to reproduce both music and movie media effectively. In this short article, we will be discussing some of the parameters available to help optimize the system for both movie and music playback. It is also what makes the Trinnov Optimizer unique and widely regarded as the most advanced digital room correction solution on the market. Having the ability to change the underlying parameters related to algorithms both to see and to hear the consequences of those actions is essential. You may get to see a frequency response graph and adjust a target curve but that’s really not the whole story. Most automated room correction systems just give you what they think will yield the best results with little or no option to change parameters to suit your taste or need. Trinnov’s Optimizer is used in the most demanding applications in over 7000 worldwide installations not only in High End Residential but Pro Audio and Commercial Cinema’s.Īt Trinnov Audio we pride ourselves on giving our users and integrators the flexibility to tune the system the way they want by providing the information and the options to make informed decisions. In this document we will delve deeper into some of the more advanced features available to users. It’s down to your AV Processor or AV Receiver to offer this functionality. Therefore the ability to have different configurations and distinct tunings for different content becomes a top priority for a lot of customers. Whether your content comes from streaming media like Tidal, Qobuz, Netflix, Amazon Prime Video or via physical media by way of good old fashioned Blu-ray disc you can get the best of both worlds. This content is leading to the convergence of these once separate systems into one high performance audiophile system. The industry is reacting with more content coming in popular immersive audio formats such as Dolby Atmos, DTS:X and Auro 3D. People are spending more time in their homes due to government restriction imposed by COVID-19 and are putting much more value in having quality home entertainment systems. Multi-use, multichannel audio systems are definitely in the ascendancy. Where are these settings applicable and what effect do they have on your high-end Home Theatre and HiFi systems?
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